Text Bites and Blogspeak

Our seminar on Writers and the Internet the other evening (see below)was so thought-provoking, I want to come back to it this morning. Still puzzling over some things:

How is the Internet changing my practice as a writer?

Definitely this has become a much more publicly engaged role. We blog/ tweet/ facebook - all suddenly become verbs - and our interaction with our audience or readers goes far beyond the occasional event or publication. When I first thought of becoming a writer, I thought of the solitary life in the study producing a text. But it turns out to an existence full of performance, attending events, networking,e-mailing, interactions both face-to-face and virtual.

Is the Internet changing my brain?

Harder to say. Will suggested we're getting used to shorter, more episodic forms of communication - the blog, for instance. Rather than the hours-at-a-time reading or writing. We switch around, we hyperlink, we multi-task with windows on our screen. But the core writing for me is still the long, silent, interior conversation with my imagination. Though if I was novel-writing at present, I'm sure I'd be wanting to bring in some of that texture of modern communication into the work. I'm sure it will change the novel form.

Is blogging writing?

Well, obviously, I'm typing and shaping prose. But it's also talking. I'm in first person addressing you and you feel present to me, it's got an immediacy about it. And I'm improvising as we do in speech with barely a spell-check in sight. But the thing that I've discovered in blogging, is that it also has the PLEASURE of writing in it. That it's a kind of free-writing - no end in sight, no deadlines, no evaluation of the text produced. Just the pleasure in words, in shaping thought into them. Sometimes - in a Facebook snippet or text bite - it's even poetry.

I am therefore I tweet?

Last night I went to a fascinating talk about Writers and the Internet, given by Will Buckingham of De Montfort University. This was hosted by the Writing School, Leicester, as part of their New Ways with Writing course. This excellent course, running for another 3 weeks, features talks and discussion about how writers situate themselves in a world of virtual technologies and upheaval in the publishing world.

The evening had a practical side with writers sharing resources and strategies. We carried out a Web Presence Audit to see how people actually find us on-line. What happens when you Google your name? I've discovered on a Google Image search, 13 out of 21 images are of me or my work but there other Siobhan Logans out there. We had discussions about why some writers might need multiple identities if they have common names or write in different genres. Within the group, we were all at different stages of tweeting, blogging, Facebooking etc. The elusive question of WHAT IS TWITTER FOR? was never quite settled - except it is a moving feast and one writer is scoring canny PR points by tweeting their next novel, 130 characters at a time ...

But what stayed with me most was the intriguing introduction by Will Buckingham on how the Internet is reshaping our world. He raised the idea that the web is not only changing how we send messages or produce texts but creating different ways of EXISTING IN THE WORLD. So as we click onto Facebook or tap out an impromptu blog or e-mail that short story, we are shifting into 'other ways of thinking that are not private and enclosed'. Writers are no longer locked into their studies in splendid isolation - it only looks that way to long-suffering partners. And as 'silent reading' gives way to tweeting and MSN chats, the status of the BOOK is also in flux.

Will's talk raised profound questions about self and identity and mass culture as much as practical issues of how we negotiate this new terrain as writers. I'm still wondering. Do I think differently now? Do you?