Writing is a journey, both imaginary and physical. My first book took me to the Arctic to 'catch the colours' of the Northern Lights. Then I hunkered down to catch the wind-blown voices of polar explorers on Shackleton's 1914-17 Endurance expedition. More recently I'm obsessed by space: the race, the rockets, the final frontier.

Hear a BBC Radio Leicester interview about my space poetry at: http://www.bbc.co.uk/programmes/p03wfpyp
Explore my digital narrrative PHILAE'S BOOK OF HOURS, published by the European Space Agency, at:
https://rosetta-art-tribute.tumblr.com/post/144241709712/siobhan-logan-philaes-book-of-hours

My prose-poetry collections FIREBRIDGE TO SKYSHORE
and MAD, HOPELESS & POSSIBLE are both published by Original Plus Press at:
http://thesamsmith.webs.com/originalpluschapbooks.htm

Contact me for signed copies or bookings at:
https://twitter.com/siobsi

Visit the writers' development service I co-run at: https://www.facebook.com/TheWritersShed/


About Me

My photo
Leicester, East Midlands
As a storyteller, my work crosses boundaries of myth, science, history and spoken word. It has been presented in the British Science Museum, Ledbury Poetry Festival, National Space Centre and the European Space Agency website. In 2014 I ran a digital residency on WW1 for 14-18NOW and Writing East Midlands. I teach Creative Writing at De Montfort University and have experience of leading school events, workshop tuition and mentoring. In addition, I co-run The Writers' Shed, a service for writers, at: https://www.facebook.com/TheWritersShed/
Showing posts with label stories. Show all posts
Showing posts with label stories. Show all posts

Saturday, 11 June 2011

Sledge Rations

Huskies fed, sledge unpacked, now for the diary ...
I feel like I'm back from a long expedition out on the ice. And I'm ready to break radio silence. This week the proofs arrived for my new chapbook, Mad, Hopeless & Possible. Based on Shackleton's Antarctic Expedition of 1914-17, it relates this epic story in poems and prose.
It's thrilling to have the pages in my hand already. My editor, Sam Smith of Original Plus press, is some kind of genius. Only days after my sending off the mansucript, here they are. So now for the careful work of checking typos, working out the best pagination and locating the illustrations I need. Maps to be drawn, for instance ...
In this long year, a very busy one at college, I'd thought my writing was rather bogged-down in the crevasses fields. Unable to make any of my schedules, months vanishing into the white unknown. But I brought back this little book and I love its stories, these voices of Edwardian venturers, the vast landscape they got lost in. The frazil ice and hummocks, the sastrugi and cliffs of sea-ice. And the tiny human details that got buried in it.
So now for the telling ...

Saturday, 21 November 2009

On-line Magazines

Last Monday, I attended another in the excellent series of talks on 'New Ways of Writing', run by the Writing School, Leicester. This time we had Farhana Shaikh of 'The Asian Writer' introducing us to the world of On-Line Magazines. This enterprising young woman set up her site in 2007, addressing a niche market of Brit-Asian writers/ readers and now gets 20,000 hits for each edition. There is no budget as yet to pay contributors but the site is regularly visited by agents and editors so it's a great showcase for emerging talent.

Farhana wasn't out to promote her own magazine to us but it's an excellent e.g. of the potential audiences of such magazines – far beyond the scale of small press journals with a readership of maybe hundreds. She showed us that the format of on-line magazines varies widely. Some are modelled on print magazine pages and may even be digital offshoots of such titles (see Marie Claire or The Guardian). You might sample and then pay to download a pdf file (see Five Dials). Or a site like The View from Here uses newer technologies and the style of social media with Flash design, You-Tube clips, hyperlinks etc. Typical features of on-line magazines include:
  • regular updates
  • original content if digital version of print mag.
  • Website channels/ options
  • features, columns, blogs
  • huge readerships
  • run by large media outlets or individuals
  • low overheads
  • use freelancers & often welcome submissions
Some on-line mags. do pay contributors. In particular, the US market for on-line mags. is huge and more lucrative. It's possible to identify possible UK sites through the comprehensive listings offered by Mslexia or The Poetry Library sites. The beauty of this is you can access a wide range of publications to sample for free at the press of a button. As with submissions elsewhere, you want to check guidelines, identify a named editor, research the readership and content and show you understand on-line media in any copy you send in.

Is it wise to write for free? It might be that such pieces could build a relationship with editors that leads to paid commissions. But understand you won't usually be able to sell published material elsewhere. But if that sounds harsh, take a peek at the Guest Writer's slot on The View from Here. This is regularly read by 7,000 visitors. Does your work usually reach that many readers in one go? It can't hurt to press that 'enter' button and take a trawl through the hyperspace of new media magazines. Just as soon as I stop attending writing courses, I intend to find time to do so!