'To
the new generations of readers reared on Dr
Who
and Battlestar
Galactica,
graphic novels and Gears
of War 2,
old school can mean staid, stuck in a rut. “Crossover” is
increasingly the way forward and you’ll find plenty of it here …
if there’s an energy in a book that gets us jumping up and down,
we’re all over it.'
So far, so good for sci-fi/fantasy fans – but what about the rest of us? Gascoigne's business plan also intended to shake up the prevailing mode of publishing. 'Corporate monoliths', move over – 'we're hobbyists, fans, geeks, nerds' – the people behind Angry Robots are the readers as much as they are the producers and marketers. For geeks, read 'people with a passion for sharing stories'. They therefore proposed a 'menu of formats' that includes Physical paperbacks, Limited run special editions in leather or hard-covers, eBooks, Downloadable audio and release of the text in all of these formats simultaneously. I lost track of the plot twists he related around ownership and sell-ons with the publishing giants but they still have 'partners' in Faber and RandomHouse and the mission is intact. An example of their reader-friendly approach is their current offer of the Angry Robot Clonefiles programme;
'a
growing number of indie book shops in the UK and the US are able to
offer their customers both the paperback and eBook version ... for
just the price of the paperback. So you can buy the ebooks for
yourself and give the paperbacks to your friends and loved ones as
presents.'
See?
They get that readers enjoy both the physicality of a well-produced
paper copy and the convenience of e-readers. And they know that part
of the pleasure of reading is sharing
stories.
This is especially true of the genre they deal with where typical
readers get through dozens of books and tweet and blog about them, in
between running up costumes for another steampunk convention or
trying out the last game. (These are the same fans who kept Dr.Who
going through the dark, wasteland years by writing their own fanzines
and novelised episodes.)
I have been especially impressed by Angry
Robots' canny approach to harnessing their readers' passion for
'finding
the good stuff'
and passing it on. On their website, they are recruiting a 'RobotArmy'
of reviewers and bloggers who can 'Take
the Robot's Shilling'
and download Advanced
Review Copies
in exchange for an 'honest review' on sites which have their own
established genre audience. (Loving the BattlestarCylon
references btw in the red-eyed robot logo.) Recently I watched on
Facebook as Rod Duncan's new Steampunk novel, TheBullet-Catcher's Daughter garnered
dozens of reviews, interviews and blog tours months before the
official launch. Gascoigne told us they only have 5 people working
for Angry Robot, yet they have hundreds or possibly thousands of
committed fans sifting and promoting 'the
good stuff'.
So
the occasion for this fascinating industry speaker was a book launch
of TheBullet-Catcher's Daughter, a
new title by Angry Robot. The event was hosted by Leicester Writers'
Club and the author was our own Rod Duncan, a long-standing member,
previous crime-novelist and well-respected writing tutor. It drew the
crowds who rose to the invitation for Steam-punk fancy dress with a
gusto that would have endeared the boys from the BigBang Theory.
Marc, who delivered an entertaining history of the new genre
('Steampunk
is what happens when Goths discovered brown')
turned up in the uniform of a Nerd. The rest of us sported hat-pins,
airship goggles and scarlet brocade corsets. As ever, I'm grateful to
Ambrose Musiyiwa for his photographs which captured the fun and the
readers' rapture at Duncan's taster chapter. We snapped up copies,
snaffled cake and not a one of us won't have learnt something about
how to keep our readers close in the game of 'pass
it on.'
Lovely post Siobhan. It was indeed a fascinating and fun evening.
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